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	<title>New Zealand Listener &#187; Theatre</title>
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		<title>The right number of notes</title>
		<link>http://www.listener.co.nz/culture/theatre/the-right-number-of-notes/</link>
		<comments>http://www.listener.co.nz/culture/theatre/the-right-number-of-notes/#comments</comments>
		<pubDate>Wed, 29 May 2013 23:40:49 +0000</pubDate>
		<dc:creator>The Listener</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Antonio Salieri]]></category>
		<category><![CDATA[Christchurch Court Theatre]]></category>
		<category><![CDATA[Mozart]]></category>
		<category><![CDATA[Peter Shaffer]]></category>

		<guid isPermaLink="false">/?p=101027</guid>
		<description><![CDATA[ This performance of Amadeus at Christchurch's Court Theatre hits the right note. ]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Cracks in the Glass</title>
		<link>http://www.listener.co.nz/culture/theatre/cracks-in-the-glass/</link>
		<comments>http://www.listener.co.nz/culture/theatre/cracks-in-the-glass/#comments</comments>
		<pubDate>Wed, 22 May 2013 23:40:42 +0000</pubDate>
		<dc:creator>The Listener</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Auckland Theatre Company]]></category>
		<category><![CDATA[Tennessee Williams]]></category>

		<guid isPermaLink="false">/?p=100333</guid>
		<description><![CDATA[ Tennessee Williamss notoriously difficult to pull off memory play fails to satisfy. ]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>They do words, that’s what they do</title>
		<link>http://www.listener.co.nz/culture/they-do-words-thats-what-they-do/</link>
		<comments>http://www.listener.co.nz/culture/they-do-words-thats-what-they-do/#comments</comments>
		<pubDate>Wed, 10 Apr 2013 23:53:09 +0000</pubDate>
		<dc:creator>The Listener</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Theatre Review]]></category>

		<guid isPermaLink="false">/?p=95341</guid>
		<description><![CDATA[ Conversation is a highly charged weapon in Nina Raines Tribes. ]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>The Women &#8211; review</title>
		<link>http://www.listener.co.nz/culture/theatre/the-women-review/</link>
		<comments>http://www.listener.co.nz/culture/theatre/the-women-review/#comments</comments>
		<pubDate>Wed, 27 Mar 2013 22:53:54 +0000</pubDate>
		<dc:creator>The Listener</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Review]]></category>

		<guid isPermaLink="false">/?p=93696</guid>
		<description><![CDATA[ Remarkable for its time, The Women remains fun, but not a lot more. ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Coro on stage: Taking it to the Street</title>
		<link>http://www.listener.co.nz/commentary/television/coro-on-stage-taking-it-to-the-street/</link>
		<comments>http://www.listener.co.nz/commentary/television/coro-on-stage-taking-it-to-the-street/#comments</comments>
		<pubDate>Wed, 20 Mar 2013 22:55:27 +0000</pubDate>
		<dc:creator>Dianaw</dc:creator>
				<category><![CDATA[Television]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Coronation Street]]></category>
		<category><![CDATA[Mag Features]]></category>

		<guid isPermaLink="false">/?p=92903</guid>
		<description><![CDATA[ Its completely bonkers, of course, says Jonathan Harvey preemptively, down the phone from the UK. The<em>Coronation Street</em>writer and esteemed British playwright is referring to theproject he undertook in the lead-up to t<em>Streets</em>50th anniversary. His mission: turn the longest-running television soap into a stage play starring five actors playing 50-odd  very odd <em>Coronation Street</em>characters. Half a century down to two hours. With an interval. Bonkers.<em>Coronation Street on Stage</em>makes Tom Stoppards<em>The Fifteen Minute Hamlet</em>seem a doddle. Daunting is right, agrees Harvey. The show did well in the UK, despite the perils of messing with a national (global, if you count the colonies) institution thats as inexplicable, odd and almost as enduring as the Royal Family. ]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Auckland Arts Festival: AUT Dominion Road Stories review</title>
		<link>http://www.listener.co.nz/culture/theatre/auckland-arts-festival-aut-dominion-road-stories-review/</link>
		<comments>http://www.listener.co.nz/culture/theatre/auckland-arts-festival-aut-dominion-road-stories-review/#comments</comments>
		<pubDate>Wed, 20 Mar 2013 22:53:55 +0000</pubDate>
		<dc:creator>The Listener</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Review]]></category>

		<guid isPermaLink="false">/?p=92846</guid>
		<description><![CDATA[ Auckland Theatre Companys <em>AUT Dominion Road Stories</em> showcased a small cluster of performances and events inspired by the busy Auckland thoroughfare on which they were staged. ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Auckland Arts Festival: Hui review</title>
		<link>http://www.listener.co.nz/culture/theatre/auckland-arts-festival-hui-review/</link>
		<comments>http://www.listener.co.nz/culture/theatre/auckland-arts-festival-hui-review/#comments</comments>
		<pubDate>Wed, 20 Mar 2013 22:53:19 +0000</pubDate>
		<dc:creator>The Listener</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Review]]></category>

		<guid isPermaLink="false">/?p=92838</guid>
		<description><![CDATA[ <br /> ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Love, Loss, and What I Wore &#8211; review</title>
		<link>http://www.listener.co.nz/culture/theatre/love-loss-and-what-i-wore-review/</link>
		<comments>http://www.listener.co.nz/culture/theatre/love-loss-and-what-i-wore-review/#comments</comments>
		<pubDate>Wed, 13 Mar 2013 20:35:35 +0000</pubDate>
		<dc:creator>Guy Somerset</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Review]]></category>

		<guid isPermaLink="false">/?p=92003</guid>
		<description><![CDATA[ Clothes maketh the woman. ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Richard Bean: One man, two strengths</title>
		<link>http://www.listener.co.nz/culture/theatre/richard-bean-one-man-two-strengths/</link>
		<comments>http://www.listener.co.nz/culture/theatre/richard-bean-one-man-two-strengths/#comments</comments>
		<pubDate>Wed, 06 Mar 2013 22:53:38 +0000</pubDate>
		<dc:creator>The Listener</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Interview]]></category>

		<guid isPermaLink="false">/?p=90774</guid>
		<description><![CDATA[ Humour is key, but its not a Richard Bean play if its not thought-provoking. ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A text adroitly mined: King Lear review</title>
		<link>http://www.listener.co.nz/culture/theatre/a-text-adroitly-mined-king-lear-review/</link>
		<comments>http://www.listener.co.nz/culture/theatre/a-text-adroitly-mined-king-lear-review/#comments</comments>
		<pubDate>Wed, 06 Mar 2013 22:53:15 +0000</pubDate>
		<dc:creator>The Listener</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[King Lear]]></category>
		<category><![CDATA[Review]]></category>

		<guid isPermaLink="false">/?p=90766</guid>
		<description><![CDATA[ Lisa Harrow makes an auspicious directorial debut, with Michael Neill magnificently modulated as Lear. ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The factory of dreams</title>
		<link>http://www.listener.co.nz/culture/theatre/the-factory-of-dreams/</link>
		<comments>http://www.listener.co.nz/culture/theatre/the-factory-of-dreams/#comments</comments>
		<pubDate>Wed, 27 Feb 2013 22:53:30 +0000</pubDate>
		<dc:creator>The Listener</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Pasifika]]></category>
		<category><![CDATA[The Factory]]></category>

		<guid isPermaLink="false">/?p=89725</guid>
		<description><![CDATA[ Musical The Factory is a tribute to the 1970s Pasifika migrants for whom the promised land of milk and honey proved a mirage. ]]></description>
		<wfw:commentRss>http://www.listener.co.nz/culture/theatre/the-factory-of-dreams/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Lisa Harrow: The wheel is come full circle</title>
		<link>http://www.listener.co.nz/culture/theatre/lisa-harrow-the-wheel-is-come-full-circle/</link>
		<comments>http://www.listener.co.nz/culture/theatre/lisa-harrow-the-wheel-is-come-full-circle/#comments</comments>
		<pubDate>Wed, 20 Feb 2013 22:53:38 +0000</pubDate>
		<dc:creator>The Listener</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[shakespeare]]></category>

		<guid isPermaLink="false">/?p=88455</guid>
		<description><![CDATA[ King Lears origins at the birth of capitalism confirm Lisa Harrow in her conception of the play for Summer Shakespeare. ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Victor Rodger: A complicated mix</title>
		<link>http://www.listener.co.nz/culture/theatre/victor-rodger-a-complicated-mix/</link>
		<comments>http://www.listener.co.nz/culture/theatre/victor-rodger-a-complicated-mix/#comments</comments>
		<pubDate>Wed, 06 Feb 2013 22:53:58 +0000</pubDate>
		<dc:creator>The Listener</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Victor Rodger]]></category>

		<guid isPermaLink="false">/?p=86861</guid>
		<description><![CDATA[ Racism, race relations and now same-sex marriage are Victor Rodgers triggers, but he can never not be funny. ]]></description>
		<wfw:commentRss>http://www.listener.co.nz/culture/theatre/victor-rodger-a-complicated-mix/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Kings of the Gym &#8211; review</title>
		<link>http://www.listener.co.nz/culture/theatre/kings-of-the-gym-review/</link>
		<comments>http://www.listener.co.nz/culture/theatre/kings-of-the-gym-review/#comments</comments>
		<pubDate>Wed, 23 Jan 2013 22:53:33 +0000</pubDate>
		<dc:creator>gabeatkinson</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Dave Armstrong]]></category>
		<category><![CDATA[Review]]></category>

		<guid isPermaLink="false">/?p=84592</guid>
		<description><![CDATA[ Dave Armstrong is at the top of his game with Kings of the Gym. ]]></description>
		<wfw:commentRss>http://www.listener.co.nz/culture/theatre/kings-of-the-gym-review/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>60 years of The Mousetrap</title>
		<link>http://www.listener.co.nz/culture/theatre/60-years-of-the-mousetrap/</link>
		<comments>http://www.listener.co.nz/culture/theatre/60-years-of-the-mousetrap/#comments</comments>
		<pubDate>Fri, 23 Nov 2012 17:00:58 +0000</pubDate>
		<dc:creator>gabeatkinson</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Mag Features]]></category>

		<guid isPermaLink="false">/?p=73445</guid>
		<description><![CDATA[ After 60 years playing in London, Agatha Christies whodunnit The Mousetrap comes to Wellington. ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Little Shop of Horrors – review</title>
		<link>http://www.listener.co.nz/culture/theatre/little-shop-of-horrors-review/</link>
		<comments>http://www.listener.co.nz/culture/theatre/little-shop-of-horrors-review/#comments</comments>
		<pubDate>Fri, 16 Nov 2012 17:00:32 +0000</pubDate>
		<dc:creator>Morgan.J</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Review]]></category>

		<guid isPermaLink="false">/?p=72903</guid>
		<description><![CDATA[ The performances of the players all nod to the movie casts interpretations while still offering something new, says Nick Grant. ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Tigers of Wrath – review</title>
		<link>http://www.listener.co.nz/culture/theatre/the-tigers-of-wrath-review/</link>
		<comments>http://www.listener.co.nz/culture/theatre/the-tigers-of-wrath-review/#comments</comments>
		<pubDate>Fri, 16 Nov 2012 17:00:10 +0000</pubDate>
		<dc:creator>Morgan.J</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Review]]></category>

		<guid isPermaLink="false">/?p=72892</guid>
		<description><![CDATA[ So much is so effortlessly contained in Dean Parkers <em>The Tigers of Wrath</em>. ]]></description>
		<wfw:commentRss>http://www.listener.co.nz/culture/theatre/the-tigers-of-wrath-review/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Pacific Post – review</title>
		<link>http://www.listener.co.nz/culture/theatre/pacific-post-review/</link>
		<comments>http://www.listener.co.nz/culture/theatre/pacific-post-review/#comments</comments>
		<pubDate>Fri, 09 Nov 2012 17:00:13 +0000</pubDate>
		<dc:creator>Morgan.J</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Review]]></category>

		<guid isPermaLink="false">/?p=72114</guid>
		<description><![CDATA[ <br /> ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Mourning After – review</title>
		<link>http://www.listener.co.nz/culture/theatre/the-mourning-after-review/</link>
		<comments>http://www.listener.co.nz/culture/theatre/the-mourning-after-review/#comments</comments>
		<pubDate>Fri, 02 Nov 2012 17:00:05 +0000</pubDate>
		<dc:creator>Morgan.J</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Review]]></category>

		<guid isPermaLink="false">/?p=71229</guid>
		<description><![CDATA[ Newcomers stories avoid the conventional perspectives of mainstream history. ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Dean Parker’s The Tigers of Wrath</title>
		<link>http://www.listener.co.nz/culture/theatre/dean-parkers-the-tigers-of-wrath/</link>
		<comments>http://www.listener.co.nz/culture/theatre/dean-parkers-the-tigers-of-wrath/#comments</comments>
		<pubDate>Fri, 26 Oct 2012 17:00:55 +0000</pubDate>
		<dc:creator>Morgan.J</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Review]]></category>

		<guid isPermaLink="false">/?p=70816</guid>
		<description><![CDATA[ <br /> ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Play – review</title>
		<link>http://www.listener.co.nz/culture/theatre/play-review/</link>
		<comments>http://www.listener.co.nz/culture/theatre/play-review/#comments</comments>
		<pubDate>Fri, 26 Oct 2012 17:00:45 +0000</pubDate>
		<dc:creator>Morgan.J</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Review]]></category>

		<guid isPermaLink="false">/?p=70840</guid>
		<description><![CDATA[ <br /> ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Death of a Salesman – review</title>
		<link>http://www.listener.co.nz/culture/theatre/death-of-a-salesman-review/</link>
		<comments>http://www.listener.co.nz/culture/theatre/death-of-a-salesman-review/#comments</comments>
		<pubDate>Fri, 26 Oct 2012 17:00:09 +0000</pubDate>
		<dc:creator>Morgan.J</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Review]]></category>

		<guid isPermaLink="false">/?p=70833</guid>
		<description><![CDATA[ Millers classic is still vibrant and still powerful 63 years on. ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Middlemarch Singles Ball review</title>
		<link>http://www.listener.co.nz/culture/theatre/the-middlemarch-singles-ball-review/</link>
		<comments>http://www.listener.co.nz/culture/theatre/the-middlemarch-singles-ball-review/#comments</comments>
		<pubDate>Fri, 19 Oct 2012 17:00:55 +0000</pubDate>
		<dc:creator>Morgan.J</dc:creator>
				<category><![CDATA[Theatre]]></category>

		<guid isPermaLink="false">/?p=70069</guid>
		<description><![CDATA[ <br /> ]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Review: Mary Poppins at the Civic</title>
		<link>http://www.listener.co.nz/culture/theatre/mary-poppins-review/</link>
		<comments>http://www.listener.co.nz/culture/theatre/mary-poppins-review/#comments</comments>
		<pubDate>Thu, 18 Oct 2012 22:43:52 +0000</pubDate>
		<dc:creator>fiona.rae</dc:creator>
				<category><![CDATA[Theatre]]></category>

		<guid isPermaLink="false">/?p=70261</guid>
		<description><![CDATA[ The huge stage show, on now in Auckland, is exuberant, wildly clever and practically perfect. ]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Interview: Julian Fellowes on his stage version of Mary Poppins</title>
		<link>http://www.listener.co.nz/culture/theatre/interview-julian-fellowes-on-his-stage-version-of-mary-poppins/</link>
		<comments>http://www.listener.co.nz/culture/theatre/interview-julian-fellowes-on-his-stage-version-of-mary-poppins/#comments</comments>
		<pubDate>Fri, 28 Sep 2012 18:00:33 +0000</pubDate>
		<dc:creator>Morgan.J</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Mag Features]]></category>

		<guid isPermaLink="false">/?p=67639</guid>
		<description><![CDATA[ Famous for lavish costume dramas, Fellowes has now revitalised <em>Mary Poppins</em> for the stage. He talks to Jane Clifton. ]]></description>
		<wfw:commentRss>http://www.listener.co.nz/culture/theatre/interview-julian-fellowes-on-his-stage-version-of-mary-poppins/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Manawa review</title>
		<link>http://www.listener.co.nz/culture/theatre/manawa-review/</link>
		<comments>http://www.listener.co.nz/culture/theatre/manawa-review/#comments</comments>
		<pubDate>Fri, 28 Sep 2012 18:00:01 +0000</pubDate>
		<dc:creator>Morgan.J</dc:creator>
				<category><![CDATA[Theatre]]></category>

		<guid isPermaLink="false">/?p=67705</guid>
		<description><![CDATA[ Good as it is, <em>Manawa</em> doesnt reach its full potential. ]]></description>
		<wfw:commentRss>http://www.listener.co.nz/culture/theatre/manawa-review/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Private Lives review</title>
		<link>http://www.listener.co.nz/culture/theatre/private-lives-review/</link>
		<comments>http://www.listener.co.nz/culture/theatre/private-lives-review/#comments</comments>
		<pubDate>Fri, 21 Sep 2012 18:00:41 +0000</pubDate>
		<dc:creator>Morgan.J</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Review]]></category>

		<guid isPermaLink="false">/?p=66999</guid>
		<description><![CDATA[ Famously written in just four days, the play is the product of its period, in terms of both its stylised language and its social context, says Nick Grant. ]]></description>
		<wfw:commentRss>http://www.listener.co.nz/culture/theatre/private-lives-review/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Clybourne Park review</title>
		<link>http://www.listener.co.nz/culture/theatre/clybourne-park-review/</link>
		<comments>http://www.listener.co.nz/culture/theatre/clybourne-park-review/#comments</comments>
		<pubDate>Fri, 21 Sep 2012 18:00:40 +0000</pubDate>
		<dc:creator>Morgan.J</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Review]]></category>

		<guid isPermaLink="false">/?p=66987</guid>
		<description><![CDATA[ Bruce Norriss award-winning play is about the things we dont want to look at in ourselves. ]]></description>
		<wfw:commentRss>http://www.listener.co.nz/culture/theatre/clybourne-park-review/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Man in a Suitcase review</title>
		<link>http://www.listener.co.nz/culture/theatre/man-in-a-suitcase-review/</link>
		<comments>http://www.listener.co.nz/culture/theatre/man-in-a-suitcase-review/#comments</comments>
		<pubDate>Fri, 31 Aug 2012 18:00:10 +0000</pubDate>
		<dc:creator>Morgan.J</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Review]]></category>

		<guid isPermaLink="false">/?p=64966</guid>
		<description><![CDATA[ <em>Man in a Suitcase</em> is a bleak, black, darkly funny study in dislocation, says Sally Blundell. ]]></description>
		<wfw:commentRss>http://www.listener.co.nz/culture/theatre/man-in-a-suitcase-review/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Pride review</title>
		<link>http://www.listener.co.nz/culture/theatre/the-pride-review/</link>
		<comments>http://www.listener.co.nz/culture/theatre/the-pride-review/#comments</comments>
		<pubDate>Fri, 24 Aug 2012 18:00:53 +0000</pubDate>
		<dc:creator>Morgan.J</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Review]]></category>

		<guid isPermaLink="false">/?p=64061</guid>
		<description><![CDATA[ The cast give performances that approach impeccable, exhibiting an empathy that  to quotethe play  made me feel hopeful, says Nick Grant. ]]></description>
		<wfw:commentRss>http://www.listener.co.nz/culture/theatre/the-pride-review/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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