They do words, that’s what they do
Subscriber contentBy Elspeth Sandys in Theatre
Issue 3806 11th Apr 2013
Conversation is a highly charged weapon in Nina Raine’s Tribes.
By Elspeth Sandys in Theatre
Issue 3806 11th Apr 2013
Conversation is a highly charged weapon in Nina Raine’s Tribes.
By Faith Oxenbridge in Theatre
Issue 3804 28th Mar 2013
Remarkable for its time, The Women remains fun, but not a lot more.
By Diana Wichtel in Theatre
Issue 3803 21st Mar 2013
Coronation Street, television’s longest-running soap, celebrates 50 years by touring a stage play featuring five actors playing 50-odd characters.
By Nick Grant in Theatre
21st Mar 2013
Auckland Theatre Company’s AUT Dominion Road Stories showcased a small cluster of performances and events inspired by the busy Auckland thoroughfare on which they were staged.
By Nick Grant in Theatre
Issue 3803 21st Mar 2013
Emotional pyrotechnics are a dead cert when long-absent siblings look back in anger.
By Helen Watson White in Theatre
Issue Listener Plus 14th Mar 2013
Clothes maketh the woman.
By John Nathan in Theatre
Issue 3801 7th Mar 2013
Humour is key, but it’s not a Richard Bean play if it’s not thought-provoking.
By Nick Grant in Theatre
Issue 3801 7th Mar 2013
Lisa Harrow makes an auspicious directorial debut, with Michael Neill magnificently modulated as Lear.
By Nick Grant in Theatre
Issue 3800 28th Feb 2013
Musical The Factory is a tribute to the 1970s Pasifika migrants for whom the promised land of milk and honey proved a mirage.
By Guy Somerset in Theatre
Issue 3799 21st Feb 2013
King Lear’s origins at the birth of capitalism confirm Lisa Harrow in her conception of the play for Summer Shakespeare.